Even GREAT Golf Is Not That Hard

 

Contents

 

  Chapter                     Page

 

One       First Things First          p   1

 

What's in this chapter?

    

Using the incredible brain you were born with

 

Perfection resides in simplicity: the engineer does

not teach the child to walk: the child teaches the

engineer what perfect walking is

 

The express route to proficiency

 

Mis-hits: differentiating "golf swing " error

from "operator error."  It's not your swing!

 

Dealing with your subconscious

 

Difficulties along the way

 

The REAL secret of the golf swing

is usually omitted from your instruction

 

Differences in body type--instruction that

fits you --  You can't learn to swing from a model, because

the things that we really do are invisible: the mental

images we follow, our exertions--their intensity,

their sequence, their balance.  And perhaps most of all,

the critical subtle nuanced adjustments we must use in our

setup to fit ourselves to our swing,  the ways in which we

manage everything we do.  ALL of these are simply

invisible.  Could you do a double axel on skates by copying

Katerina Witt? 

 

Pitfalls from conventional instruction, conflicts in

tips, advice, and systems

 

How we need to learn one thing at a time--

golf instruction for real people

 

Methodology: Form Follows Function

- planning ahead vs. "winging it" and "fixing"

 

Complexitizing vs. Simplicity: learning via our own

ingenious intuition that "knows more than we do"

 

Differentiating the  whole "swing" from its

essential core, heart, the very DNA  of golf--

i.e., THE RELEASE, which it SERVES.

 

Efficiency in developing your proficiency

 

Two       The Release                 p  29

What's in this chapter?

 

Release is where you produce an effortless

EXPLOSION of clubhead speed.

 

A golf swing made by copying what you see is like

a placebo: it might look good, but it lacks the

active ingredient--an effective release!  THE

RELEASE IS THE ACTIVE INGREDIENT.

 

So the first order of business is: EXACTLY what

it is, and how to do it. 

 

How golfers waste it ; how to time it

for maximum effect

 

The COLLISION is the object of your release

 

The magic of the left thumb: an immediate, simple

way to put and keep your swing on plane

 

Release vs. muscling; release vs. leverage:

the right way to apply force to your club.

 

 

Three     The Swing                    p  47

 

What's in this chapter?

 

The swing is constructed in service to the release

 

How does a human body work?

 

The proportionality and balance of elements in a

swing, vs. exploiting a part at the expense of the whole

 

Concepts instruct us

 

Adjusting yourself for ease, naturalness--

how it is done

 

Preparations before the swing

 

How to aim: direction control starts now

 

A simple image that teaches the swing

intuitively and immediately vs. "complexitizing"

 

Sources of contamination

 

Where power comes from: how to apply it

 

The "compound pivot" you don't know that

you already know

 

Hitting or Swinging?

 

The object of your focus--impact--and how

it takes care of the details

 

Learning through exaggeration and trial and error

 

"Why can't I hit the ball with my practice swing?"

YOU CAN.  And here's how!

 

Get it right at the outset

 

 

Four      Details                           p  91

 

What's in this chapter?

 

"The Basics" --not just what to do, but why!

 -- the grip, the stance, posture, balance,

spine tilt, etc. fitted to your body with your

personal characteristics, guided by their

function: i.e., fitted to you by you because they

are based on what you are going to do

with your body and the club, not because

you are told to do them that way

 

Mental imagery that controls your motion

 

Viewing your swing correctly

 

Slicing and hooking: sidespin -- why, and what

to do about it

 

Natural physical positions and motions

 

Feelings--how to understand them for how they

can help you and avoid how they can work

against you

 

Precision in aim and execution

 

The forward press: how to produce an

automatic backswing: utilizing your reactivity and

taking advantage of innate dynamic mechanisms

 

The backswing and loadup

 

The transition

 

The downswing

 

Guiding your swing correctly

 

Impact

 

The follow through

 

Five       Ballstriking                    p 129

 

What's in this chapter?

 

It's all about adjustments: understanding what

produces perfect impact: how immediately to produce

a perfect collision with its perfect divot, its

unique sound, and its soaring trajectory

 

The gifts of information contained in

your mis-hits -- CORRECT diagnosis

 

How to practice to produce the most

direct, efficient path to proficiency

 

Direction as a function of ball position

 

Breaking through the diabolical hoax --

the established culture -- about slices and hooks:

the REAL (one minute) solution to problems

 

How to practice

 

Review is mandatory: you don't catch everything

the first time: you learn what you are ready for, and

like the child taking piano lessons every week, each

step makes himself ready for the next lesson.  You

didn't know the significance of something in your first

encounter.  So it doesn't register then.  (When I re-read

Nicklaus's book years after I first got it, I was amazed

how much Jack had learned during that period!).

 

Six         Leftovers                       p 151

 

What's in this chapter?

 

Personal idiosyncrasies are not faults: they are

your special gifts: use your body; it has more

going for it than you realize!

 

Pitfalls and traps --:

 

     the ghosts in your subconscious

 

     over-swing: what is it, really?

 

     tips from others: contaminating your recipe

 

     manhandling your club

 

     envy of other systems : i.e., the

          error of trying to install a Rolls

          Royce starter in your Corvette

 

     the pernicious myths of "credentials" and "authorities"

          and how they sabotage you

 

     falling back into old habits: "creep"

 

SUMMARY

 

 

Index                                             p 169

(click here to see what's in the Index)